When his wife leaves him, struggling Bulgarian photographer Zack sets out on a wild trip from London to Berlin. It is a journey that reveals the truth about his lost love - and ultimately to uncomfortable discoveries about himself.

grey • scale / grāskāl / noun: A relationship that is not black or white but exists in varying shades of confusion. 　　Duckwrth presents a 1940s noir-style silent film that serves as a visual metaphor for the relationships in his life.

When unidentified parasites violently take over human hosts and gain power, humanity must rise to combat the growing threat.

Two extraction specialists must plan an escape path for a high-level female negotiator.

In 1921, an untitled text reminiscent of Edgar Allan Poe's writings was discovered in Boston. It was made by unknown creators, perhaps a techno-spiritualist cult of enthusiasts, for an automaton, that would attempt to model Poe's mind.

The Old Grey Whistle Test is an influential BBC2 television music show that ran from 1971 to 1987. It took over the BBC2 late night slot from "Disco Two", which had been running since January 1970, while continuing to feature non-chart music. It was devised by BBC producer Rowan Ayers. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys—doormen in grey suits. The songs they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test.

Plot unknown.

This conversation explores the cinema approaches and thinking of film directors Agnes Varda and Susan Sontag, who were among the small group of artists represented in the prestigious seventh annual New York Film Festival (1969). Here they discuss their ideas and their films with Jack Kroll, senior editor at Newsweek magazine. Excerpts from both their films (Varda's Lions' love, and Sontag's Duet for cannibals) illustrate the conversation.

“My paintings are not about what is seen. 　　They are about what is known forever in the mind.” 　　– Agnes Martin 　　“'‘I’m very careful not to have ideas, because they’re inaccurate,’ the artist Agnes Martin says in Mary Lance’s touching documentary about her, but it’s a lie. Ms. Martin was full of ideas, and she dispenses them engagingly in the course of the film… She talks about her early childhood on the plains of Saskatchewan. And by the end of the film, Ms. Lance has gently led you to connect that comment with Ms. Martin’s signature style of work: broad horizontal bands of subtle hues Her remembrances of her years in New York and New Mexico are lovely to hear, as are her bits of philosophy.” 　　– Neil Genzlinger, The New York Times